Punch, or the London Charivari, Volume 99, December 6, 1890 by Various
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forgets that as soon as a woman steps down of her own free will from
the pedestal on which the chivalrous admiration of men has placed her, she abandons at once her claim to that flattering reticence of speech, and that specially attentive courtesy of bearing, which are in men the outward and visible signs of the spiritual grace which they assume as an attribute of all women. In spite of what the crazy theorists of the perfect equality school may say, men still continue to expect and to admire in women precisely those qualities in which they feel themselves to be chiefly deficient. Their reverence and affection are bestowed upon her whose voice is ever soft, gentle and low, and whose mild influence is shed like a balm upon the labours and troubles of life. Of slang, and of slaps upon the back, of strength, whether of language or of body, they get enough and to spare amongst themselves, and they are scarcely to be blamed if at certain moments they should prefer refinement to roughness, and gentleness to gentlemen. However, these obvious considerations have no weight with the Manly Maiden. In fact they never occur to her, and hence arise failures, and humiliations, and disappointments not a few. [Illustration] The Manly Maiden is not, as a rule, the natural product of a genuine country life. The daughter of rich parents, who have spent a great part of their lives in a centre of commercial activity, she is introduced to a new home in the country at about the age of fourteen. Seeing that all those who live in the neighbourhood are in one way or another associated with outdoor sports, and that the favour in which the men are held and their fame vary directly as their power to ride or to shoot straight, she becomes possessed by the notion that she too must, if she is to please at all, be proficient in the sports of men. |
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