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In the Carquinez Woods by Bret Harte
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breathing, interrupted occasionally by inarticulate and stertorous
gasps. It was not the quick, panting, listening breath of some stealthy
feline or canine animal, but indicated a larger, slower, and more
powerful organization, whose progress was less watchful and guarded, or
as if a fragment of one of the fallen monsters had become animate.
At times this life seemed to take visible form, but as vaguely, as
misshapenly, as the phantom of a nightmare. Now it was a square object
moving sideways, endways, with neither head nor tail and scarcely
visible feet; then an arched bulk rolling against the trunks of the
trees and recoiling again, or an upright cylindrical mass, but always
oscillating and unsteady, and striking the trees on either hand. The
frequent occurrence of the movement suggested the figures of some weird
rhythmic dance to music heard by the shape alone. Suddenly it either
became motionless or faded away.

There was the frightened neighing of a horse, the sudden jingling of
spurs, a shout and outcry, and the swift apparition of three dancing
torches in one of the dark aisles; but so intense was the obscurity
that they shed no light on surrounding objects, and seemed to advance
of their own volition without human guidance, until they disappeared
suddenly behind the interposing bulk of one of the largest trees. Beyond
its eighty feet of circumference the light could not reach, and the
gloom remained inscrutable. But the voices and jingling spurs were heard
distinctly.

"Blast the mare! She's shied off that cursed trail again."

"Ye ain't lost it again, hev ye?" growled a second voice.

"That's jist what I hev. And these blasted pine-knots don't give light
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