The Open Door, and the Portrait. - Stories of the Seen and the Unseen. by Mrs. (Margaret) Oliphant
page 101 of 103 (98%)
page 101 of 103 (98%)
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understanding. This is the third time I have come to you with her
message, without knowing what to say. But now I have found it out. This is her message. I have found it out at last." There was an awful pause,--a pause in which no one moved or breathed. Then there came a broken voice out of my father's chair. He had not understood, though I think he heard what I said. He put out two feeble hands. "Phil--I think I am dying--has she--has she come for me?" he said. We had to carry him to his bed. What struggles he had gone through before I cannot tell. He had stood fast, and had refused to be moved, and now he fell,--like an old tower, like an old tree. The necessity there was for thinking of him saved me from the physical consequences which had prostrated me on a former occasion. I had no leisure now for any consciousness of how matters went with myself. His delusion was not wonderful, but most natural. She was clothed in black from head to foot, instead of the white dress of the portrait. She had no knowledge of the conflict, of nothing but that she was called for, that her fate might depend on the next few minutes. In her eyes there was a pathetic question, a line of anxiety in the lids, an innocent appeal in the looks. And the face the same: the same lips, sensitive, ready to quiver; the same innocent, candid brow; the look of a common race, which is more subtle than mere resemblance. How I knew that it was so I cannot tell, nor any man. It was the other, the elder,--ah, no! not elder; the ever young, the Agnes to whom age can never come, she who they say was the mother of a man who never saw her,--it was she who led her kinswoman, her representative, into our hearts. * * * * * |
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