The Open Door, and the Portrait. - Stories of the Seen and the Unseen. by Mrs. (Margaret) Oliphant
page 46 of 103 (44%)
page 46 of 103 (44%)
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seeing Simson, speaking to some one else. His voice took a tone of
expostulation:-- "Is this right to come here? Your mother's gone with your name on her lips. Do you think she would ever close her door on her own lad? Do ye think the Lord will close the door, ye faint-hearted creature? No!--I forbid ye! I forbid ye!" cried the old man. The sobbing voice had begun to resume its cries. He made a step forward, calling out the last words in a voice of command. "I forbid ye! Cry out no more to man. Go home, ye wandering spirit! go home! Do you hear me?--me that christened ye, that have struggled with ye, that have wrestled for ye with the Lord!" Here the loud tones of his voice sank into tenderness. "And her too, poor woman! poor woman! her you are calling upon. She's not here. You'll find her with the Lord. Go there and seek her, not here. Do you hear me, lad? go after her there. He'll let you in, though it's late. Man, take heart! if you will lie and sob and greet, let it be at heaven's gate, and not your poor mother's ruined door." He stopped to get his breath; and the voice had stopped, not as it had done before, when its time was exhausted and all its repetitions said, but with a sobbing catch in the breath as if overruled. Then the minister spoke again, "Are you hearing me, Will? Oh, laddie, you've liked the beggarly elements all your days. Be done with them now. Go home to the Father--the Father! Are you hearing me?" Here the old man sank down upon his knees, his face raised upwards, his hands held up with a tremble in them, all white in the light in the midst of the darkness. I resisted as long as I could, though I cannot tell why; then I, too, dropped upon my knees. Simson all the time stood in the door-way, with an expression in his face such as words could not tell, his under lip dropped, his eyes wild, staring. It seemed to be to him, that image of blank ignorance and |
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