to the outer senses or to the imagination; and then described or
"word-painted" according to the writer's own ability. (iii) Or, the
truth is brought home directly to the intelligence; and gets all its
imaginative and verbal clothing from the recipient.

Many other hypotheses are conceivable, but most will be reducible to one
or other of these. We may perhaps add that, when the revelation is given
for the sake of others, this purpose might be frustrated, were not a
substantial fidelity of expression and utterance also secured. This
would involve, at least, that negative kind of guidance of the tongue or
pen, known technically as "assistance."

Mother Juliana gives us some clue in regard to her own revelations where
she says: [8] "All this blessed showing of our Lord God was showed in
three parts; that is to say, by bodily sight; and by words formed in my
understanding; and by ghostly sight. For the bodily sight, I have said
as I saw, as truly as I can" (that is, the appearances were, she
believed, from God, but the description of them was her own). "And for
the words I have said them right as our Lord showed them to me" (for
here nothing was her own, but bare fidelity of utterance). "And for the
ghostly sight I have said some deal, but I may never full tell it" (that
is to say, no language or imagery of her own can ever adequately express
the spiritual truths revealed to her higher reason). As a rule she makes
it quite clear throughout, which of these three kinds of showing is
being described. We have an example of bodily vision when she saw "the
red blood trickling down from under the garland," and in all else that
seemed to happen to the crucifix on which her open eyes were set. And of
all this she says: "I conceived truly and mightily that it was Himself
that showed it me, without any mean between us;" that is, she took it as
a sort of pictorial language uttered directly by Christ, even as if He