"It is. Turn it over, I tell you!"

Sorel, a strong, sullen-looking Canadian, who from having spent his life
among the wildest and most remote of the Indian tribes, had imbibed much
of their dark, vindictive spirit, looked ferociously up, as if he longed
to leap upon his bourgeois and throttle him; but he obeyed the order,
coming from so experienced an artist.

"It was a good idea of yours," said I, seating myself on the tongue of a
wagon, "to bring Indian meal with you."

"Yes, yes" said R. "It's good bread for the prairie--good bread for the
prairie. I tell you that's burning again."

Here he stooped down, and unsheathing the silver-mounted hunting-knife
in his belt, began to perform the part of cook himself; at the same
time requesting me to hold for a moment the book under his arm, which
interfered with the exercise of these important functions. I opened
it; it was "Macaulay's Lays"; and I made some remark, expressing my
admiration of the work.

"Yes, yes; a pretty good thing. Macaulay can do better than that though.
I know him very well. I have traveled with him. Where was it we first
met--at Damascus? No, no; it was in Italy."

"So," said I, "you have been over the same ground with your countryman,
the author of 'Eothen'? There has been some discussion in America as to
who he is. I have heard Milne's name mentioned."

"Milne's? Oh, no, no, no; not at all. It was Kinglake; Kinglake's the