Mohammedanism - Lectures on Its Origin, Its Religious and Political Growth, - and Its Present State by C. Snouck Hurgronje
page 13 of 120 (10%)
page 13 of 120 (10%)
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from secondary sources. That a work with such a tendency was sure to arouse
interest at that time, is shown by a letter from the publisher, Coderc, to Professor Gagnier at Oxford, in which he writes: "He [de Boulainvilliers] mixes up his history with many political reflections, which by their newness and boldness are sure to be well received" ("Il mêle son Histoire de plusieurs réflexions politiques, et qui par leur hardiesse ne manqueront pas d'être très bien reçues"). Jean Gagnier however considered these bold novelties very dangerous and endeavoured to combat them in another _Vie de Mahomet_, which appeared from his hand in 1748 at Amsterdam. He strives after a "juste milieu" between the too violent partisanship of Maracci and Prideaux and the ridiculous acclamations of de Boulainvilliers. Yet this does not prevent him in his preface from calling Mohammed the greatest villain of mankind and the most mortal enemy of God ("le plus scélérat de tous les hommes et le plus mortel ennemi de Dieu"). His desire to make his contemporaries proof against the poison of de Boulainvilliers' dangerous book gains the mastery over the pure love of truth for which Reland had so bravely striven. Although Sale in his "Preliminary Discourse" to his translation of the Qorân endeavours to contribute to a fair estimation of Mohammed and his work, of which his motto borrowed from Augustine, "There is no false doctrine that does not contain some truth" ("nulla falsa doctrina est quae non aliquid veri permisceat"), is proof, still the prejudicial view remained for a considerable time the prevalent one. Mohammed was branded as _imposteur_ even in circles where Christian fanaticism was out of the question. Voltaire did not write his tragedy _Mahomet ou le fanatisme_ as a historical study; he was aware that his fiction was in many respects at variance with history. In writing his work he was, as he himself expresses it, inspired by "l'amour du genre humain et l'horreur du fanatisme." He |
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