occasion to treat of the chorus of the ancients. He then comes to
another ode, of "The dying Christian to his Soul;" in which, finding an
apparent imitation of Flatman, he falls into a pleasing and learned
speculation, on the resembling passages to be found in different poets.

He mentions, with great regard, Pope's ode on Solitude, written when he
was but twelve years old, but omits to mention the poem on Silence,
composed, I think, as early, with much greater elegance of diction,
musick of numbers, extent of observation, and force of thought. If he
had happened to think on Baillet's chapter of Enfans célèbres, he might
have made, on this occasion, a very entertaining dissertation on early
excellence.

He comes next to the Essay on Criticism, the stupendous performance of a
youth, not yet twenty years old; and, after having detailed the
felicities of condition, to which he imagines Pope to have owed his
wonderful prematurity of mind, he tells us, that he is well informed
this essay was first written in prose. There is nothing improbable in
the report, nothing, indeed, but what is more likely than the contrary;
yet I [8] cannot forbear to hint to this writer, and all others, the
danger and weakness of trusting too readily to information. Nothing but
experience could evince the frequency of false information, or enable
any man to conceive, that so many groundless reports should be
propagated, as every man of eminence may hear of himself. Some men
relate what they think, as what they know; some men, of confused
memories and habitual inaccuracy, ascribe to one man, what belongs to
another; and some talk on, without thought or care. A few men are
sufficient to broach falsehoods, which are afterwards innocently
diffused by successive relaters.