uncovering a clay model which stood in the middle of a scantily
furnished room near by.

"He is not here; come and look; it is greatly beautiful," cried
Giovanni, beckoning with an air of importance.

Psyche did look and speedily forgot both her errand and herself. It
was the figure of a man, standing erect, and looking straight
before him with a wonderfully lifelike expression. It was neither a
mythological nor a historical character, Psyche thought, and was glad
of it, being tired to death of gods and heroes. She soon ceased to
wonder what it was, feeling only the indescribable charm of something
higher than beauty. Small as her knowledge was, she could see and
enjoy the power visible in every part of it; the accurate anatomy of
the vigorous limbs, the grace of the pose, the strength and spirit in
the countenance, clay though it was. A majestic figure, but the spell
lay in the face, which, while it suggested the divine, was full of
human truth and tenderness, for pain and passion seemed to have passed
over it, and a humility half pathetic, a courage half heroic seemed to
have been born from some great loss or woe.

How long she stood there Psyche did not know. Giovanni went away
unseen, to fill his water-pail, and in the silence she just stood and
looked. Her eyes kindled, her color rose, despondency and discontent
vanished, and her soul was in her face, for she loved beauty
passionately, and all that was best and truest in her did honor to the
genius of the unknown worker.

"If I could do a thing like that, I'd die happy!" she exclaimed
impetuously, as a feeling of despair came over her at the thought of