The Principles of Success in Literature by George Henry Lewes
page 23 of 135 (17%)
page 23 of 135 (17%)
![]() | ![]() |
|
novelty. To the eye that can read aright there is an infinite variety
even in the most ordinary human being. But to the careless indiscriminating eye all individuality is merged in a misty generality. Nature and men yield nothing new to such a mind. Of what avail is it for a man to walk out into the tremulous mists of morning, to watch the slow sunset, and wait for the rising stars, if he can tell us nothing about these but what others have already told us---if he feels nothing but what others have already felt? Let a man look for himself and tell truly what he sees. We will listen to that. We must listen to it, for its very authenticity has a subtle power of compulsion. What others have seen and felt we can learn better from their own lips. II. I have not yet explained in any formal manner what the nature of that insight is which constitutes what I have named the Principle of Vision; although doubtless the reader has gathered its meaning from the remarks already made. For the sake of future applications of the principle to the various questions of philosophical criticism which must arise in the course of this inquiry, it may be needful here to explain (as I have already explained elsewhere) how the chief intellectual operations--Perception, Inference, Reasoning, and Imagination--may be viewed as so many forms of mental vision. Perception, as distinguished from Sensation, is the presentation before Consciousness of the details which once were present in conjunction with the object at this moment affecting Sense. These details are inferred to be still in conjunction with the object, although not revealed to Sense. Thus when an apple is perceived by me, who merely see it, all that Sense reports is of a certain coloured surface: the |
|