given only by an independent seer who

"Lends a precious seeing to the eye."

All great authors are seers. "Perhaps if we should meet Shakspeare,"
says Emerson, "we should not be conscious of any steep inferiority: no,
but of great equality; only he possessed a strange skill of using, of
classifying his facts, which we lacked. For, notwithstanding our utter
incapacity to preduce anything like HAMLET or OTHELLO, we see the
perfect reception this wit and immense knowledge of life and liquid
eloquence find in us all." This aggrandisement of our common stature
rests on questionable ground. If our capacity of being moved by
Shakspeare discloses a community, our incapacity of producing HAMLET no
less discloses our inferiority. It is certain that could we meet
Shakspeare we should find him strikingly like ourselves---with the same
faculties, the same sensibilities, though not in the same degree. The
secret of his power over us lies, of course, in our having the capacity
to appreciate him. Yet we seeing him in the unimpassioned moods of
daily life, it is more than probable that we should see nothing in him
but what was ordinary; nay, in some qualities he would seem inferior.
Heroes require a perspective. They are men who look superhuman only
when elevated on the pedestals of their achievements. In ordinary life
they look like ordinary men; not that they are of the common mould, but
seem so because their uncommon qualities are not then called forth.
Superiority requires an occasion. The common man is helpless in an
emergency: assailed by contradictory suggestions, or confused by his
incapacity, he cannot see his way. The hour of emergency finds a hero
calm and strong, and strong because calm and clear-sighted; he sees
what can be done, and does it. This is often a thing of great
simplicity, so that we marvel others did not see it. Now it has been