The Principles of Success in Literature by George Henry Lewes
page 46 of 135 (34%)
page 46 of 135 (34%)
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A work is imaginative in virtue of the power of its images over our
emotions; not in virtue of any rarity or surprisingness in the images themselves. A Madonna and Child by Fra Angelico is more powerful over our emotions than a Crucifixion by a vulgar artist; a beggar-boy by Murillo is more imaginative than an Assumption by the same painter; but the Assumption by Titian displays far greater imagination than elther. We must guard against the natural tendency to attribute to the artist what is entirely due to accidental conditions. A tropical scene, luxuriant with tangled overgrowth and impressive in the grandeur of its phenomena, may more decisively arrest our attention than an English landscape with its green corn lands and plenteous homesteads. But this superiority of interest is no proof of the artist's superior imagination; and by a spectator familiar with the tropics, greater interest may be felt in the English landscape, because its images may more forcibly arrest his attentlon by their novelty. And were this not so, were the inalienable impressiveness of tropical scenery always to give the poet who described it a superiority in effect, this would not prove the superiority of his imagination. For either he has been familiar with such scenes, and imagines them just as the other poet imagines his English landscape---by an effort of mental vision, calling up the absent objects; or he has merely read the descriptions of others, and from these makes up his picture. It is the same with his rival, who also recalls and recombines. Foolish critics often betray their ignorance by saying that a painter or a writer "only copies what he has seen, or puts down what he has known." They forget that no man imagines what he has not seen or known, and that it is in the SELECTION OF THE CHARACTERISTIC DETAILS that the artistic power is manifested. Those who suppose that familiarity with scenes or characters enables a painter or a novelist to "copy" them with artistic effect, forget the well-known fact that the vast majority of men are painfully incompetent |
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