"It was exciting, at the moment," confessed Maud. "One of the pictures
proved very dramatic, so an author wrote a story where at the climax a
girl was rescued from the flames by her lover, and we took our time to
act the several scenes that led up to the fire. The completed picture was
a great success, I'm told."

"Those directors must be wonderfully enterprising fellows," said Beth.

"They are, indeed, constantly on the lookout for effects. Every incident
that occurs in real life is promptly taken advantage of. The camera-men
are everywhere, waiting for their chance. Often their pictures prove of
no value and are destroyed, but sometimes the scenes they catch are very
useful to work into a picture play. A few weeks ago I was shipwrecked on
the ocean and saved by clinging to a raft. That was not pleasant and I
caught a severe cold by being in the water too long; but I was chosen
because I can swim. Such incidents are merely a part of our game--a game
where personal comfort is frequently sacrificed to art. Once Flo leaped
over a thirty-foot precipice and was caught in a net at the bottom. The
net was, of course, necessary, but when the picture was displayed her
terrible leap was followed by a view of her mangled body at the bottom of
the canyon."

"How did they manage to do that?" asked Patsy.

"Stopped the camera, cut off the piece of film showing her caught by the
net, and substituted a strip on which was recorded Flo's body lying among
the jagged rocks, where it had been carefully and comfortably arranged.
We do a lot of deceptive tricks of that sort, and sometimes I myself
marvel at the natural effects obtained."