(JOHN LANE), with the express object--or so he says--of disillusioning
them. He has no use for the cynic who declared that there are three
sexes, men, women and actors. His Thespians are gay because they are
happy, and happy because (though poor) they are virtuous. The crowning
ambition of their lives of honest toil is not unlimited silk-stockings
and champagne suppers, but the combined and unqualified approval of Mr.
GRANVILLE BARKER and Miss HORNIMAN. I fear the Philistines will not be
much impressed with Mr. KEBLE HOWARD'S championship. In the first place
he selects for his heroine a girl of what used to be known as the "lower
orders." Yet it is more than doubtful if the lower orders have ever done
anything for Mr. KEBLE HOWARD except open his cab-doors and bring his
washing home on Saturday night. Otherwise he would not make his East End
of London heroine talk an argot of which fifty per cent, is pure East
Side Noo York. True, "the curtain" finds her in New York in the arms of
a faithful and acrobatic American, so perhaps it doesn't matter much.
Meanwhile she has become the idol of the Manchester School, enjoyed an
unsuccessful season in partnership with the late Sir HERBERT BEERBOHM
TREE, and signed a contract with the SCHUBERTS to tour the States, and
all without any apparent diminution of the guileless flow of
"Whitechapel" with which she won the hearts of her first employers. It
is courageous of Mr. HOWARD to place on record his apparent belief that
a total absence of the three "R's" and any number of "h's" cannot debar
a strong-minded daughter of the slums from the higher rungs of the
histrionic ladder.

* * * * *

When a warm-hearted and law-abiding gentleman, who has kept open-house
for many guests, suddenly discovers that these guests have plotted
against him, have read his private correspondence, have caused