gracious forms. I used to look at them not simply, but curiously
and askance. Once at least in my later days at Penge, I spent a
shilling in admission chiefly for the sake of them. . . .

The strangest thing of all my odd and solitary upbringing seems to
me now that swathing up of all the splendours of the flesh, that
strange combination of fanatical terrorism and shyness that fenced
me about with prohibitions. It caused me to grow up, I will not say
blankly ignorant, but with an ignorance blurred and dishonoured by
shame, by enigmatical warnings, by cultivated aversions, an
ignorance in which a fascinated curiosity and desire struggled like
a thing in a net. I knew so little and I felt so much. There was
indeed no Aphrodite at all in my youthful Pantheon, but instead
there was a mysterious and minatory gap. I have told how at last a
new Venus was born in my imagination out of gas lamps and the
twilight, a Venus with a cockney accent and dark eyes shining out of
the dusk, a Venus who was a warm, passion-stirring atmosphere rather
than incarnate in a body. And I have told, too, how I bought a
picture.

All this was a thing apart from the rest of my life, a locked
avoided chamber. . . .

It was not until my last year at Trinity that I really broke down
the barriers of this unwholesome silence and brought my secret
broodings to the light of day. Then a little set of us plunged
suddenly into what we called at first sociological discussion. I
can still recall even the physical feeling of those first tentative
talks. I remember them mostly as occurring in the rooms of Ted
Hatherleigh, who kept at the corner by the Trinity great gate, but