we also used to talk a good deal at a man's in King's, a man named,
if I remember rightly, Redmayne. The atmosphere of Hatherleigh's
rooms was a haze of tobacco smoke against a background brown and
deep. He professed himself a socialist with anarchistic leanings--
he had suffered the martyrdom of ducking for it--and a huge French
May-day poster displaying a splendid proletarian in red and black on
a barricade against a flaring orange sky, dominated his decorations.
Hatherleigh affected a fine untidiness, and all the place, even the
floor, was littered with books, for the most part open and face
downward; deeper darknesses were supplied by a discarded gown and
our caps, all conscientiously battered, Hatherleigh's flopped like
an elephant's ear and inserted quill pens supported the corners of
mine; the highlights of the picture came chiefly as reflections from
his chequered blue mugs full of audit ale. We sat on oak chairs,
except the four or five who crowded on a capacious settle, we drank
a lot of beer and were often fuddled, and occasionally quite drunk,
and we all smoked reckless-looking pipes,--there was a transient
fashion among us for corn cobs for which Mark Twain, I think, was
responsible. Our little excesses with liquor were due far more to
conscience than appetite, indicated chiefly a resolve to break away
from restraints that we suspected were keeping us off the
instructive knife-edges of life. Hatherleigh was a good Englishman
of the premature type with a red face, a lot of hair, a deep voice
and an explosive plunging manner, and it was he who said one
evening--Heaven knows how we got to it--"Look here, you know, it's
all Rot, this Shutting Up about Women. We OUGHT to talk about them.
What are we going to do about them? It's got to come. We're all
festering inside about it. Let's out with it. There's too much
Decency altogether about this Infernal University!"