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Character Writings of the 17th Century by Various
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down, she casts her face into a platform, which dureth the meal, and is
taken away with the voider. Her draught reacheth to good manners, not to
thirst, and it is a part of their mystery not to profess hunger; but
nature takes her in private and stretcheth her upon meat. She is
marriageable and fourteen at once, and after she doth not live but
tarry. She reads over her face every morning, and sometimes blots out
pale and writes red. She thinks she is fair, though many times her
opinion goes alone, and she loves her glass and the knight of the sun
for lying. She is hid away all but her face, and that's hanged about
with toys and devices, like the sign of a tavern, to draw strangers. If
she show more she prevents desire, and by too free giving leaves no
gift. She may escape from the serving-man, but not from the chambermaid.
Her philosophy is a seeming neglect of those that be too good for her.
She's a younger brother for her portion, but not for her portion for
wit--that comes from her in treble, which is still too big for it; yet
her vanity seldom matcheth her with one of her own degree, for then she
will beget another creature a beggar, and commonly, if she marry better
she marries worse. She gets much by the simplicity of her suitor, and
for a jest laughs at him without one. Thus she dresses a husband for
herself, and after takes him for his patience, and the land adjoining,
ye may see it, in a serving-man's fresh napery, and his leg steps into
an unknown stocking. I need not speak of his garters, the tassel shows
itself. If she love, she loves not the man, but the best of him. She is
Salomon's cruel creature, and a man's walking consumption; every caudle
she gives him is a purge. Her chief commendation is, she brings a man to
repentance.



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