The Atlantic Monthly, Volume 06, No. 36, October, 1860 by Various
page 68 of 294 (23%)
page 68 of 294 (23%)
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the proof of design or final cause in A and D, whatever it amounted
to, at all weakened by the discovered intermediate forms? Rather does not the proof extend to the intermediate species, and go to show that all four were equally designed? Suppose, now, the number of intermediate forms to be much increased, and therefore the gradations to be closer yet, as close as those between the various sorts of dogs, or races of men, or of horned cattle: would the evidence of design, as shown in the structure of any of the members of the series, be any weaker than it was in the case of A and D? Whoever contends that it would be should likewise maintain that the origination of individuals by generation is incompatible with design, and so take a consistent atheistical view of Nature. Perhaps we might all have confidently thought so, antecedently to experience of the fact of reproduction. Let our experience teach us wisdom. These illustrations make it clear that the evidence of design from structure and adaptation is furnished complete by the individual animal or plant itself, and that our knowledge or our ignorance of the history of its formation or mode of production adds nothing to it and takes nothing away. We infer design from certain arrangements and results; and we have no other way of ascertaining it. Testimony, unless infallible, cannot prove it, and is out of the question here. Testimony is not the appropriate proof of design: adaptation to purpose is. Some arrangements in Nature appear to be contrivances, but may leave us in doubt. Many others, of which the eye and the hand are notable examples, compel belief with a force not appreciably short of demonstration. Clearly to settle that these must have been designed goes far towards proving that other organs and other seemingly less explicit adaptations in Nature must also have been designed, and clinches our belief, from manifold considerations, that all Nature is |
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