1848, _Godey's Lady's Book_) and _Aunt Magwire's Account of the
Mission to Muffletegawmy_ (July, 1859, _Godey's_), were afterwards
collected in _The Widow Bedott Papers_ (1855-56-80). The scope of the
work of Mary B. Haven is sufficiently suggested by her story, _Mrs.
Bowen's Parlor and Spare Bedroom_ (February, 1860, _Godey's_), while
the best stories of Mary W. Janvrin include _The Foreign Count; or,
High Art in Tattletown_ (October, 1860, _Godey's_) and _City
Relations; or, the Newmans' Summer at Clovernook_ (November, 1861,
_Godey's_). The work of Alice Bradley Haven Neal is of somewhat
similar texture. Her book, _The Gossips of Rivertown, with Sketches in
Prose and Verse_ (1850) indicates her field, as does the single title,
_The Third-Class Hotel_ (December, 1861, _Godey's_). Perhaps the most
representative figure of this school is Eliza Leslie (1787-1858), who
as "Miss Leslie" was one of the most frequent contributors to the
magazines of the 1830's, 1840's and 1850's. One of her best stories is
_The Watkinson Evening_ (December, 1846, _Godey's Lady's Book_),
included in the present volume; others are _The Batson Cottage_
(November, 1846, _Godey's Lady's Book_) and _Juliet Irwin; or, the
Carriage People_ (June, 1847, _Godey's Lady's Book_). One of her chief
collections of stories is _Pencil Sketches_ (1833-1837). "Miss
Leslie," wrote Edgar Allan Poe, "is celebrated for the homely
naturalness of her stories and for the broad satire of her comic
style." She was the editor of _The Gift_ one of the best annuals of
the time, and in that position perhaps exerted her chief influence on
American literature When one has read three or four representative
stories by these seven authors one can grasp them all. Their titles as
a rule strike the keynote. These writers, except "the Widow Bedott,"
are perhaps sentimentalists rather than humorists in intention, but
read in the light of later days their apparent serious delineations of
the frolics and foibles of their time take on a highly humorous