Four Weeks in the Trenches - The War Story of a Violinist by Fritz Kreisler
page 13 of 44 (29%)
page 13 of 44 (29%)
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the enemy, who consequently had to fire indirectly. The air craft
hovered above our heads, but we were forbidden to fire at it, the extremely difficult, almost vertical aim promising little success, aside from the danger of our bullets falling back among us. Our reserves in the rear had apparently sighted the air craft too, for soon we heard a volley of rifle fire from that direction and simultaneously the aeroplane arose and disappeared in the clouds. Just then our own artillery came thundering up, occupied a little hill in the rear and opened fire on the enemy. The moral effect of the thundering of one's own artillery is most extraordinary, and many of us thought that we had never heard any more welcome sound than the deep roaring and crashing that started in at our rear. It quickly helped to disperse the nervousness caused by the first entering into battle and to restore self control and confidence. Besides, by getting into action, our artillery was now focusing the attention and drawing the fire of the Russian guns, for most of the latter's shells whined harmlessly above us, being aimed at the batteries in our rear. Considerably relieved by this diversion, we resumed our forward movement after about fifteen minutes of further rest, our goal being the little chain of hills which our advance guard had previously occupied pending our arrival. Here we were ordered to take up positions and dig trenches, any further advance being out of the question, as the Russian artillery overlooked and commanded the entire plain stretching in front of us. We started at once to dig our trenches, half of my platoon stepping forward abreast, the men being placed an arm's length apart. After laying their rifles down, barrels pointing to the enemy, a line was drawn behind the row of rifles and parallel to it. Then each man |
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