The landing stage is crowded with passengers--a motley crowd of
Russian officials, soldiers, peasants, and Tartars. With difficulty we
struggle through the noisy, drunken rabble, for the most part engaged
in singing, cursing, fighting, and embracing by turns, and succeed at
last in finding our ship, the _Kaspia_, a small steamer of about a
hundred and fifty tons burthen. The captain is, fortunately for us,
sober, which is more than can be said of the crew. Alongside us lies
the _Bariatinsky_, a large paddle-steamer bound for Ouzounada, the
terminus of the Trans-Caspian Railway. She also is on the point of
departure, and I notice, with relief, that most of the crowd are
making their way on board her.

The passenger-steamers on the Caspian are the property of the
Caucase-Mercure Company, a Russian firm. They are, with few
exceptions, as unseaworthy as they are comfortless, which says a great
deal. All are of iron, and were built in England and Sweden, sent to
St. Petersburg by sea, there taken to pieces and despatched overland
to Nijni-Novgorod, on the Volga. At Nijni they were repieced and taken
down the Volga to the Caspian.

The _Bariatinsky_ was first away, her decks crammed with soldiers
bound for Central Asia. They treated us to a vocal concert as the ship
left port, and I paced the moonlit deck for some time, listening to
the sweet sad airs sung with the pathos and harmony that seems born
in every Russian, high or low. I retired to rest with the "Matoushka
Volga," a boat-song popular the length and breadth of Russia, ringing
in my ears.

There are no private cabins on board the _Kaspia_. I share the stuffy