through the Custom-house." He mentioned the names of the artists who
had painted them, and asked Carstairs if he had ever heard of them,
and Carstairs said yes, that he knew of them all, and had studied
under some of them.

"They're purty high up, I guess," suggested the driver, tentatively.

"Oh, yes," Carstairs answered, lending himself to the other's point of
view, "you needn't be afraid of ever losing on your investment. Those
pictures will be worth more every year."

This seemed to strike the older man as a very sensible way to take his
gallery, and he said, when they had reached the studio, that he would
like to see more of Mr. Carstairs and to look at his pictures. His
name, he said, was Cole. Carstairs smilingly asked him if he was any
relation to the railroad king, of whom the papers spoke as King Cole,
and was somewhat embarrassed when the old gentleman replied, gravely,
that he was that King Cole himself. Carstairs had a humorous desire to
imprison him in his studio and keep him for ransom. Some one held the
horse, and the two men went up to the sixth floor and into Carstairs's
studio, where they discovered pretty Mrs. Carstairs in the act of
sewing a new collar-band on one of her husband's old shirts. She went
on at this while the railroad king, who seemed a very simple, kindly
old gentleman, wandered around the studio and turned over the
pictures, but made no comment. It had been a very cold drive, and
Carstairs felt chilled, so he took the hot water his wife had for her
tea and some Scotch whiskey and a bit of lemon, and filled a glass
with it for his guest and for himself. Mrs. Carstairs rose and put
some sugar in King Cole's glass and stirred it for him, and tasted it
out of the spoon and coughed, which made the old gentleman laugh. Then