mythologies, he had various titles according to the special attribute or
function which was uppermost in the mind of the worshipper. One of these
was _Papachtic_, He of the Flowing Locks, a word which the Spaniards
shortened to Papa, and thought was akin to their title of the Pope. It is,
however, a pure Nahuatl word,[1] and refers to the abundant hair with
which he was always credited, and which, like his ample beard, was, in
fact, the symbol of the sun's rays, the aureole or glory of light which
surrounded his face.

[Footnote 1: "_Papachtic_, guedejudo; _Papachtli_, guedeja o vedija de
capellos, o de otra cosa assi." Molina, _Vocabulario de la Lengua
Mexicana_. sub voce. Juan de Tobar, in Kingsborough, Vol. viii, p. 259,
note.]

His fair complexion was, as usual, significant of light. This association
of ideas was so familiar among the Mexicans that at the time of an eclipse
of the sun they sought out the whitest men and women they could find, and
sacrificed them, in order to pacify the sun.[1]

[Footnote 1: Mendieta, _Historia Eclesiastica Indiana_, Lib. ii, cap.
xvi.]

His opponent, Tezcatlipoca, was the most sublime figure in the Aztec
Pantheon. He towered above all other gods, as did Jove in Olympus. He was
appealed to as the creator of heaven and earth, as present in every place,
as the sole ruler of the world, as invisible and omniscient.

The numerous titles by which he was addressed illustrate the veneration in
which he was held. His most common name in prayers was _Titlacauan_, We
are his Slaves. As believed to be eternally young, he was Telpochtli, the