half-way down the steep of disenchantment.

He would have stayed on, heedless of time, to trace the ramifications
of his idea in the complex beauty of the scene, but for the longing to
share his mood with Undine. For the last few months every thought and
sensation had been instantly transmuted into such emotional impulses
and, though the currents of communication between himself and Undine
were neither deep nor numerous, each fresh rush of feeling seemed
strong enough to clear a way to her heart. He hurried back, almost
breathlessly, to the inn; but even as he knocked at her door the subtle
emanation of other influences seemed to arrest and chill him.

She had put out the lamp, and sat by the window in the moonlight, her
head propped on a listless hand. As Marvell entered she turned; then,
without speaking, she looked away again.

He was used to this mute reception, and had learned that it had no
personal motive, but was the result of an extremely simplified social
code. Mr. and Mrs. Spragg seldom spoke to each other when they met, and
words of greeting seemed almost unknown to their domestic vocabulary.
Marvell, at first, had fancied that his own warmth would call forth a
response from his wife, who had been so quick to learn the forms of
worldly intercourse; but he soon saw that she regarded intimacy as a
pretext for escaping from such forms into a total absence of expression.

To-night, however, he felt another meaning in her silence, and perceived
that she intended him to feel it. He met it by silence, but of a
different kind; letting his nearness speak for him as he knelt beside
her and laid his cheek against hers. She seemed hardly aware of
the gesture; but to that he was also used. She had never shown any