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The Custom of the Country by Edith Wharton
page 78 of 502 (15%)
The talk, as at Mrs. Fairford's, confused her by its lack of the
personal allusion, its tendency to turn to books, pictures and politics.
"Politics," to Undine, had always been like a kind of back-kitchen to
business--the place where the refuse was thrown and the doubtful messes
were brewed. As a drawing-room topic, and one to provoke disinterested
sentiments, it had the hollowness of Fourth of July orations, and her
mind wandered in spite of the desire to appear informed and competent.

Old Mr. Dagonet, with his reedy staccato voice, that gave polish and
relief to every syllable, tried to come to her aid by questioning her
affably about her family and the friends she had made in New York.
But the caryatid-parent, who exists simply as a filial prop, is not a
fruitful theme, and Undine, called on for the first time to view her own
progenitors as a subject of conversation, was struck by their lack of
points. She had never paused to consider what her father and mother were
"interested" in, and, challenged to specify, could have named--with
sincerity--only herself. On the subject of her New York friends it was
not much easier to enlarge; for so far her circle had grown less rapidly
than she expected. She had fancied Ralph's wooing would at once admit
her to all his social privileges; but he had shown a puzzling reluctance
to introduce her to the Van Degen set, where he came and went with such
familiarity; and the persons he seemed anxious to have her know--a few
frumpy "clever women" of his sister's age, and one or two brisk
old ladies in shabby houses with mahogany furniture and Stuart
portraits--did not offer the opportunities she sought.

"Oh, I don't know many people yet--I tell Ralph he's got to hurry up and
take me round," she said to Mr. Dagonet, with a side-sparkle for Ralph,
whose gaze, between the flowers and lights, she was aware of perpetually
drawing.
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