History of Modern Philosophy - From Nicolas of Cusa to the Present Time by Richard Falckenberg
page 54 of 811 (06%)
page 54 of 811 (06%)
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The Italian philosophy of nature culminates in Bruno and Campanella, of whom the former, although he is the earlier, appears the more advanced because of his freer attitude toward the Church. Giordano Bruno was born in 1548 at Nola, and educated at Naples; abandoning his membership in the Dominican Order, he lived, with various changes of residence, in France, England, and Germany. Returning to his native land, he was arrested in Venice and imprisoned for seven years at Rome, where, on February 17, 1600, he suffered death at the stake, refusing to recant. (The same fate overtook his fellow-countryman, Vanini, in 1619, at Toulouse.) Besides three didactic poems in Latin (Frankfort, 1591), the Italian dialogues, _Della Causa, Principio ed Uno_, Venice, 1584 (German translation by Lasson, 1872), are of chief importance. The Italian treatises have been edited by Wagner, Leipsic, 1829, and by De Lagarde, 2 vols., Göttingen, 1888; the Latin appeared at Naples, in 3 vols., 1880, 1886, and 1891. Of a passionate and imaginative nature, Bruno was not an essentially creative thinker, but borrowed the ideas which he proclaimed with burning enthusiasm and lofty eloquence, and through which he has exercised great influence on later philosophy, from Telesius and Nicolas, complaining the while that the priestly garb of the latter sometimes hindered the free movement of his thought. Beside these thinkers he has a high regard for Pythagoras, Plato, Lucretius, Raymundus Lullus, and Copernicus (died 1543).[1] He forms the transition link between Nicolas of Cusa and Leibnitz, as also the link between Cardanus and Spinoza. To Spinoza Bruno offered the naturalistic conception of God (God is the "first cause" immanent in the universe, to which self-manifestation or self-revelation is essential; He is _natura naturans_, the numberless worlds are _natura naturata_); Leibnitz he anticipated by his doctrine of the "monads," the individual, imperishable elements of the existent, in which matter and form, incorrectly divorced by Aristotle as though two antithetical principles, constitute one unity. |
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