adjacent to all the Sultan's residences where public ceremonies are
usually performed. The sun was already beating down on the great plain
thronged with horsemen and with the native population of Rabat on
mule-back and foot. Within an open space in the centre of the crowd a
canvas palissade dyed with a bold black pattern surrounded the Sultan's
tents. The Black Guard, in scarlet tunics and white and green turbans,
were drawn up on the edge of the open space, keeping the spectators at a
distance; but under the guidance of our companions we penetrated to the
edge of the crowd.

[Footnote A: The _msalla_ is used for the performance of religious
ceremonies when the crowd is too great to be contained in the court of
the mosque.]

The palissade was open on one side, and within it we could see moving
about among the snowy-robed officials a group of men in straight narrow
gowns of almond-green, peach-blossom, lilac and pink; they were the
Sultan's musicians, whose coloured dresses always flower out
conspicuously among the white draperies of all the other court
attendants.

In the tent nearest the opening, against a background of embroidered
hangings, a circle of majestic turbaned old men squatted placidly on
Rabat rugs. Presently the circle broke up, there was an agitated coming
and going, and some one said: "The Sultan has gone to the tent at the
back of the enclosure to kill the sheep."

A sense of the impending solemnity ran through the crowd. The mysterious
rumour which is the Voice of the Bazaar rose about us like the wind in
a palm-oasis; the Black Guard fired a salute from an adjoining hillock;