Potterism - A Tragi-Farcical Tract by Rose Macaulay
page 57 of 257 (22%)
page 57 of 257 (22%)
![]() | ![]() |
|
|
turned up by anything it had ever thought before. Of course, you may say
that a man will be likely, when a case comes before his eyes, to come to the same conclusion about it that he came to about a similar case not long before. But, as a matter of fact, it is surprising how some slight difference in the circumstances of a case may, if a man keeps an open mind, alter his whole judgment of it. The _Fact_ was a scientific, not a sentimental paper. If our investigations led us into autocracy, we were to follow them there; if to a soviet state, still we were to follow them. And we might support autocracy in one state and soviets in another, if it seemed suitable. Again this sounds like some of our more notorious politicians--Carson, for instance; but the likeness is superficial. 2 We began in March. Peacock and I were the editors. We didn't, and don't, always agree. Peacock, for instance, believes in democracy. Peacock also accepts poetry; poetry about the war, by people like Johnny Potter. Every one knows that school of poetry by heart now; of course it was particularly fashionable immediately after the war. Johnny Potter did it much like other men. Any one can do it. One takes some dirty, horrible incident or sight of the battle-front and describes it in loathsome detail, and then, by way of contrast, describes some fat and incredibly bloodthirsty woman or middle-aged clubman at home, gloating over the glorious war. I always thought it a great bore, and sentimental at that. But it was the thing for a time, and people seemed to be impressed by it, and Peacock, who encouraged young men, often to their detriment, would take it for the _Fact_, though that sort of cheap and popular appeal to sentiment was the last thing the _Fact_ was out for. |
|


