clever enough, for that butterfly escaped, and in one instant I saw her
change into weary and sad, for on this earth is nothing more fickle than
that Proteus face, which resembles a landscape swept with cloud-shadows
on a bright day. Fast beat my heart that morning, owing to the
consciousness that, while I saw, I was unseen, yet might be seen.

Another noontide, three weeks afterwards, I came upon her a good way up
yonder to the west of the palace, sleeping on her arm in an alley
between overgrown old trellises, where rioting wild vine buried her in
gloom: but I had not been peeping through the bushes a minute, when she
started up and looked wildly about, her quick consciousness, I imagine,
detecting a presence: though I think that I managed to get away unseen.
She keeps her face very dirty: all about her mouth was dry-stained with
a polychrome of grape, _mûrs_, and other coloured juices, like
slobbering _gamins_ of old. I could also see that her nose and cheeks
are now sprinkled with little freckles.

Four days since I saw her a third time, and then found that the
primitive instinct to represent the world in pictures has been working
in her: for she was drawing. It was down in the middle one of the three
east-and-west village streets, for thither I had strolled toward
evening, and coming out upon the street from between an old wall and a
house, saw her quite near. I pulled up short--and peered. She was lying
on her face all among grasses, a piece of yellow board before her, and
in her fingers a chalk-splinter: and very intently she drew, her
tongue-tip travelling along her short upper-lip from side to side,
regularly as a pendulum, her fez tipped far back, and the left foot
swinging upward from the knee. She had drawn her yali at the top, and
now, as I could see by peering well forward, was drawing underneath the
palace--from memory, for where she lay it is all hidden: yet the palace