[From _The Quarterly Review_, April, 1818]

Reviewers have sometimes been accused of not reading the works which
they affected to criticise. On the present occasion we shall anticipate
the author's complaint, and honestly confess that we have not read his
work. Not that we have been wanting in our duty--far from it--indeed, we
have made efforts almost as superhuman as the story itself appears to
be, to get through it; but with the fullest stretch of our perseverence,
we are forced to confess that we have not been able to struggle beyond
the first of the four books[1] of which this Poetic Romance consists. We
should extremely lament this want of energy, or whatever it may be, on
our parts, were it not for one consolation--namely, that we are no
better acquainted with the meaning of that book through which we have so
painfully toiled than we are with that of the three which we have not
looked into.

[1] _Endymion: A Poetic Romance_. By John Keats. London, 1818.

It is not that Mr. Keats (if that be his real name, for we almost doubt
that any man in his senses would put his real name to such a rhapsody)
it is not, we say, that the author has not powers of language, rays of
fancy, and gleams of genius--he has all these; but he is unhappily a
disciple of the new school of what has been somewhere called Cockney
poetry; which may be defined to consist of the most incongruous ideas in
the most uncouth language.

Of this school Mr. Leigh Hunt, as we observed in a former number,
aspires to be the hierophant. Our readers will recollect the pleasant