their beard, which is very abundant. Their eyes are never turned up at
the corners, and are almost always brown. The nose is very handsome,
the lips are not thick, the teeth are small. The forehead is high,
broad, and the general shape of the face is oval."

And I cannot refrain from mentioning a note of approval from Caterna
when he saw one of these Tadjiks superbly draped in his many-colored
Khalat.

"What a splendid lead! What an admirable Melingue! You can see him in
Richepins's _Nana Sahib_ or Meurice's _Schamyl_."

"He would make a lot of money! replied Madame Caterna.

"He just would--I believe you, Caroline!" replied the enthusiastic
actor.

And for him, as for all other theatrical folks, is not the money the
most serious and the least disputable manifestation of the dramatic art?

It was already five o clock, and in this incomparable city of Samarkand
scene succeeded scene. There! I am getting into that way of looking at
it now. Certainly the spectacle should finish before midnight. But as
we start at eight o'clock, we shall have to lose the end of the piece.
But as I considered that, for the honor of special correspondents in
general, it would never do to have been at Samarkand without seeing
Tamerlane's tomb, our arba returned to the southwest, and drew up near
the mosque of Gour Emir, close to the Russian town. What a sordid
neighborhood, what a heap of mud huts and straw huts, what an
agglomeration of miserable hovels we have just been through!