canst not conceive his form in thy heart."

First we notice that Hapi is addressed by the names of Ptah and Khnemu,
not because the writer thought these three gods were one, but because
Hapi as the great supplier of water to Egypt became, as it were, a
creative god like Ptah and Khnemu. Next we see that it is stated to be
impossible to depict him in paintings, or even to imagine what his form
may be, for he is unknown and his abode cannot be found, and no place
can contain him. But, as a matter of fact, several pictures and
sculptures of H[=a]pi have been preserved, and we know that he is
generally depicted in the form of two gods; one has upon his head a
papyrus plant, and the other a lotus plant, the former being the
Nile-god of the South, and the latter the Nile-god of the North.
Elsewhere he is portrayed in the form of a large man having the breasts
of a woman. It is quite clear, then, that the epithets which we have
quoted are applied to him merely as a form of God. In another hymn,
which was a favourite in the XVIIIth and XIXth dynasties, H[=a]pi is
called "One," and is said to have created himself; but as he is later on
in the text identified with R[=a] the epithets which belong to the
Sun-god are applied to him. The late Dr. H. Brugsch collected [Footnote:
_Religion and Mythologie_, pp. 96-99.] a number of the epithets which
are applied to the gods, from texts of all periods; and from these we
may see that the ideas and beliefs of the Egyptians concerning God were
almost identical with those of the Hebrews and Muhammadans at later
periods. When classified these epithets read thus:--

"God is One and alone, and none other existeth with Him; God is the
One, the One Who hath made all things.

"God is a spirit, a hidden spirit, the spirit of spirits, the great