The Mirror of Literature, Amusement, and Instruction - Volume 13, No. 363, March 28, 1829 by Various
page 44 of 54 (81%)
page 44 of 54 (81%)
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of Persia, and that which some centuries ago existed at every court in
Europe. A resemblance even in trifling forms merits attention, as it may lead to conclusions on the progress of knowledge and the condition of society; and from the character of their amusements, we may perhaps judge as correctly as from their more serious occupations, of the degree of civilization which a people has attained. In the court there is always a person who bears the name of "story-teller to his majesty;" and the duties of his office require a man of no mean acquirements. Though passionately fond of public exhibitions, the Persians have none that deserve the name of theatrical entertainments; but though strangers to the regular drama, their stories are often dramatic; and those whose occupation is to tell them, sometimes display so extraordinary a skill, and such varied powers, that we can hardly believe, while we look on their altered countenances and listen to their changed tones, that it is the same person, who at one moment tells a plain narrative in his natural voice, then speaks in the hoarse and angry tone of offended authority, and next subdues the passions he has excited by the softest sounds of feminine tenderness. The art of relating stories is attended both with profit and reputation. Great numbers attempt it, but few succeed. The person whose office it is to amuse his majesty with these stories is always in attendance. It is equally his duty to beguile the fatigue of a long march, and to soothe the mind when disturbed by the toils of public affairs; and his tales are artfully made to suit the disposition and momentary humour of the monarch. Sometimes he recites a story of the genii; at others he speaks of the warlike deeds of former sovereigns, or of the love of some wandering prince. Often the story is of coarser materials, and the king is entertained with low and obscene adventures. In no court is more rigid attention paid to ceremony. Looks, words, the motions of the body, are all regulated by the strictest forms. When the king is seated in |
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