with the bull, is practised only in South America. Indeed in no other
part of the world is the training of the horses, or the dexterity of the
horseman, equal to the performance of such exploits. Effigies made of
skin and filled with wind, and others made of straw, in which are live
birds, are placed in the arena. The bull tosses them in the air, but
being made heavy at the base, they come to the ground always retaining
an upright posture. The straw figures are furnished with fire-works,
which are made to take fire when the birds escape from within, and it
sometimes happens that the bull has the flaming and cracking figure upon
his horns. Sometimes the bull is maddened by fire-works being fastened
on him, which go off in succession. The crackers being expended, the
animal usually stands gazing around with rolling tongue, panting sides,
and eyes sparkling with rage. He is then faced by the principal matador,
who holds a straight sword in one hand and a flag in the other; as the
bull runs at him with full speed, the matador coolly, but with great
celerity, takes one step to the left, holding the flag just over the
spot he occupied when the bull took aim. Being foiled, the bull wheels
round, and charges his tormentor a second time, who again skilfully
eludes being caught on the horns: this is repeated about three times, to
the great delight of the audience. At length the matador assumes a sort
of fencing attitude, and at the critical moment, plunges his sword into
the bull's neck, near to its shoulders, when it falls dead at his feet.
Handkerchiefs are waved, and applauding shouts resound from every side.
Four horses richly harnessed then appear. The dead bull is quickly fixed
to traces, and dragged out at a gallop, cheered by continued
acclamations.

"Four steeds that spurn the rein, as swift as shy,
Hurl the dark bulk along, scarce seen in dashing by."