who were filing out had paused to watch this performance, laughing and
bravo-ing at its finish. Robinson bowed with a magnificent flourish,
then replaced the képi on the point of the bayonet, raised the képi,
and made the bayonet bow to the audience. A French officer came
bustling along the trench urging his men to move on. He stood there to
keep the file passing along without check, and Robinson turned
presently to some of the others and asked if they knew what was the
meaning of this "Mays ongfong" that the officer kept repeating to his
men. "Ongfong," said 'Enery Irving briskly, seizing the opportunity to
reëstablish himself as a French speaker, "means 'children'; spelled
e-n-f-a-n-t-s, pronounced _ongfong_."

"Children!" said Robinson. "Infants, eh? 'ealthy lookin' lot o'
infants. There's one now--that six-foot chap with the Father Christmas
whiskers; 'ow's that for a' infant?"

As the Frenchmen filed out some of them smiled and nodded and called
cheery good-bys to our men, and 'Enery Irving turned to a man beside
him. "This," he said, "is about where some appropriate music should
come in the book. Exit to triumphant strains of martial music Buck up,
Snapper! Can't you mouth-organ 'em the Mar-shall-aise?"

Snapper promptly produced his instrument and mouth-organed the opening
bars, and the Towers joined in and sang the tune with vociferous
"la-la-las." When they had finished, two or three of the Frenchmen,
after a quick word together struck up "God Save the King." Instantly
the others commenced to pick it up, but before they had sung three
words 'Enery Irving, in tones of horror, demanded "The Mar-shall-aise
again; quick, you idiot!" from Snapper, and himself swung off into a
falsetto rendering of "Three Blind Mice." In a moment the Towers had in