from their contrast with the contents of similar works, as more likely
to attract by their novelty and humour.

The embellishments of the _Gem_, fifteen in number, have been selected
by A. Cooper, Esq. R.A. _The Death of Keeldar_ is a beautiful
composition by Mr. Cooper, and is worthy of association with Sir Walter
Scott's pathetic ballad. _The Widow_, by S. Davenport, from a picture by
R. Leslie, R.A. is one of the most touching prints we have yet seen, and
every one is capable of estimating its beauties, since its expression
will be sure to fasten on the affections of the beholder. _May Talbot_,
by J.C. Edwards, from a painting by A. Cooper, is admirable in design
and execution. Of the _Temptation on the Mount_, engraved by W.R. Smith,
after Martin, we have spoken in our accompanying Number; but as often as
we look at the plate, we discover new beauties. It is a just idea of
"all the kingdoms of the earth;" the distant effect is excellent, and
the "exceeding high mountain" is ably represented. The faces in the
_Painter's Study_ are decidedly superior to the rest of the print. The
_Fisherman's Daughter_, from a painting by Bone, is pleasing; and
_Venice, with the Embarkation of the Doge_, is a stirring scene of
pageantry and triumph.

Among the _poetry_ is the Painter's Song, a pleasing composition, by
Barry Cornwall, who has also The Victim, a dramatic sketch of twenty
pages. Stanzas by Horace Smith, Esq. are a pleasant satire upon the
little vanities of great people. We give the _Dream of Eugene Aram_ in
full, although it consists of nearly two pages of small type.:--

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