used by Hungarians in common communication with other nationalities),
and took great pains to give his children an acquaintance with each of
these tongues. Their earliest playthings were French alphabet-blocks,
and the set which served as toys and tasks for each of the elder
brothers came at last to him as his legacy. The letters were formed by
the human figure in different attitudes, and each block had a little
couplet below the picture, beginning with the letter on the block. The
Y represented a gymnast hanging by his hands to a trapeze, and being a
letter which does not occur in the Hungarian language except in
combinations, excited most the interest and imagination of the
youngsters. Thousands of times did they practise the grouping of the
figures on the blocks, and the Y always served as a model for trapeze
exercises. My friend, on account of his birth-mark, which resembled a
rude Y, was early dubbed by his brothers with the nick-name Yatil, this
being the first words of the French couplet printed below the picture.
Learning the French by heart, they believed the _Y a-t-il_ to be one
word, and with boyish fondness for nick-names saddled the youngest with
this. It is easy to understand how the shape of this letter, borne on
his body in an indelible mark, and brought to his mind every moment of
the day, came to seem in some way connected with his life. As he grew up
in this belief he became more and more superstitious about the letter
and about everything in the remotest way connected with it.

The first great event of his life was joining the circus, and to this
the letter Y more or less directly! led him. He left home on his
twenty-fifth birth-day, and twenty five was the number of the letter Y
in the block-alphabet.

The second great event of his life was the Turin lottery, and the number
of the lucky ticket was twenty-five. "The last sign given me," he said,