must set her ablaze despite--"

"I? _I_ must do all this?" mocked the other, furiously. "Why must _I_
do it all? Make Norma play up to me. She underplays me all the time;
she's not in my key. That's what's the matter--and I'm damned tired of
this everlasting criticism."

There was a strained silence, during which the two men faced each
other threateningly, and a panic seized the woman.

She managed to say, uncertainly: "Perhaps I--should play up to you,
Irving."

"On the contrary, I don't think the fault is yours," Phillips said,
stiffly.

Again there was a dramatic silence, in which there was no element of
the make-believe. It was the clash of two strong men who disliked each
other intensely and whose masks were slipping. Neither they nor the
leading woman detected a figure stealing out from the gloom, as if
drawn by the magnetism of their anger.

"My fault, as usual," Francis sneered. "Understand this, Phillips, my
reputation means something to me, and I won't be forced out of a good
engagement by a--well, by you or by any other stage manager."

Phillips saw that same fearful look leap into the woman's eyes, and it
checked his heated retort. "I don't mean to find fault with you," he
declared, evenly. "I have the greatest respect for your ability as an
actor, but--"