The Second Generation by David Graham Phillips
page 80 of 403 (19%)
page 80 of 403 (19%)
![]() | ![]() |
|
close-mouthed Ellen Ranger thought this the quintessence of indiscretion
and vulgarity. But Hiram liked her, was amused by her always interesting and at times witty thrusts at the various members of her family, including herself. So, Mrs. Ranger, clutching at anything that might lighten the gloom thick and black upon him, let her in and left them alone together. With so much to do, she took advantage of every moment which she could conscientiously spend out of his presence. At sight of Henrietta, Hiram's face brightened; and well it might. In old-fashioned Saint X it was the custom for a married woman to "settle down" as soon as she returned from her honeymoon--to abandon all thoughts, pretensions, efforts toward an attractive exterior, and to become a "settled" woman, "settled" meaning purified of the last grain of the vanity of trying to please the eye or ear of the male. And conversation with any man, other than her husband--and even with him, if a woman were soundly virtuous, through and through--must be as clean shorn of allurement as a Quaker meetinghouse. Mrs. Fred had defied this ancient and sacred tradition of the "settled" woman. She had kept her looks; she frankly delighted in the admiration of men. And the fact that the most captious old maid in Saint X could not find a flaw in her character as a faithful wife, aggravated the offending. For, did not her devotion to her husband make dangerous her example of frivolity retained and flaunted, as a pure private life in an infidel made his heresies plausible and insidious? At "almost" forty, Mrs. Hastings looked "about" thirty and acted as if she were a girl or a widow. Each group of gods seems ridiculous to those who happen not to believe in it. Saint X's set of gods of conventionality doubtless seems ridiculous to those who knock the dust before some other set; but Saint X cannot be blamed for having a sober face before its own altars, and reserving its jeers and pitying smiles for deities of conventionality in high dread and awe elsewhere. |
|