poet. "Born" advisedly, since the poet is always born, not made. Even
before he could write he composed little poems, which he would
recite aloud. The simple pleasures of the poor, among whom he grew
up--intoxication, pugilism, funeral merry-makings--furnished the themes
of his verse.

Upon reaching man's estate he adopted the calling of night-watchman,
an occupation which provided him at once with a livelihood and ample
opportunities for meditation. It is to this period that the "Nocturnes"
belong.

Now it happened that the poet's work reached the eye of the Prince, who,
anxious to encourage genius, appointed him to some minor place about
Court and endowed it with a pension. Moreover, to complete his happiness
he gave him in marriage a beautiful and accomplished maiden, for whom
the poet had long cherished an ardent but hopeless passion. So, as by
enchantment, the course of the poet's existence was changed. He no
longer waked while others slept. On the contrary he seldom left his
couch until a late hour in the morning, and when at last he rose it was
often to pass the rest of the day in a Turkish bath.

Yet in spite of altered circumstances he still remained a poet, for the
poet is born, not made, or unmade. The tenor of his poetry however
was changed. Instead of the rude and vigorous subjects which formerly
engaged his lyre he would now employ his art in verse of the daintiest,
to celebrate flowers, ladies' eyebrows and similar trivialities.

This style however was not altogether to the taste of the munificent
Prince. He had expected something stronger, something more in the grand
manner. So he consulted a Wise Man, an adept in the ways of poets, one