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The Mirror of Literature, Amusement, and Instruction - Volume 19, No. 534, February 18, 1832 by Various
page 15 of 48 (31%)
"Girald Cambrensis gives an account of a speaking-stone at St. David's in
Pembrokeshire. 'The next I shall notice is a very singular kind of a
monument, which I believe has never been taken notice of by any
antiquarian. I think I may call it an oracular stone: it rests upon a bed
of rock, where a road plainly appears to have been made, leading to the
hole, which at the entrance is three feet wide, six feet deep, and about
three feet six inches high. Within this aperture, on the right hand, is a
hole two feet diameter, perforated quite through the rock sixteen feet,
and running from north to south. In the abovementioned aperture a man
might lie concealed, and predict future events to those that came to
consult the oracle, and be heard distinctly on the north side of the rock,
where the hole is not visible. This might make the credulous Britons think
the predictions proceeded solely from the rock-deity. The voice on the
outside was distinctly conveyed to the person in the aperture, as was
several times tried.'--_Arch. Soc. Ant. Lond_. vol. viii.

"The moving stones, or Logans, were known to the Phoenicians as well us
the Britons. Sanconiatho, in his Phoenician History, says, that Uranus
devised the Boetylia, Gr.; Botal or Bothal, Irish; Bethel, Heb., or stones
that moved _as having life_.--Damascius, an author in the reign of
Justinian, says he had seen many of these Boetylia, of which wonderful
things were reported, in Mount Libanus, and about Heliopolis, in Syria."

The volume, a handsome octavo of more than 500 pages, has been, we
perceive, published by subscription: the list contains about 400 names,
with the King at the head. This is sterling patronage, yet not greater, if
so great, as Mr. Pennie deserves. The Preface, we think, somewhat
unnecessarily long: it needed but few words to commend the drama of our
early history to the lovers of literature, among whom we do not reckon him
who is insensible to the charms of such plays as Cymbeline, Julius Caesar,
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