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The Loves of Krishna in Indian Painting and Poetry by W. G. Archer
page 46 of 215 (21%)
As, at last, the dance concludes, Krishna takes the cowgirls to the Jumna,
bathes with them in the water, rids himself of fatigue and then after once
again gratifying their passions, bids them go home. When they reach their
houses, no one is aware that they have not been there all the time.

[Footnote 25: Plate 11.]

[Footnote 26: Plate 12.]

[Footnote 27: Note 11.]

[Footnote 28: Plate 13.]

[Footnote 29: Plate 14.]

[Footnote 30: Plate 15.]



(iii) The Death of the Tyrant


This scene with its crescendos of excitement, its delight in physical
passion and ecstatic exploration of sexual desire is, in many ways, the
climax of Krishna's pastoral career. It expresses the devotion felt for
him by the cowgirls. It stresses his loving delight in their company. It
suggests the blissful character of the ultimate union. No further
revelation, in fact, is necessary for this is the crux of Krishna's life.
None the less the ostensible reason for his birth remains--to rid the
earth of the vicious tyrant Kansa--and to this the _Purana_ now returns.
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