The Loves of Krishna in Indian Painting and Poetry by W. G. Archer
page 67 of 215 (31%)
page 67 of 215 (31%)
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Such an incident revives an aspect of Krishna's early character which up
to the present has been somewhat obscured by other events. Besides slaying demons he has all along been sensitive to feminine needs, arousing in women passionate adoration and at the same time fulfilling the most intense of their physical desires. It is these qualities which characterize his later career. Having on one occasion given Rukmini, his first consort, a flower of the heavenly wishing tree,[39] Krishna finds that he has aroused the jealousy of his third consort, Satyabhama. To please her, he accordingly undertakes to get for her not merely a flower or branch but the tree itself. He therefore goes to Vaikuntha, the paradise of Vishnu, and takes the opportunity to return the earrings of Aditi and place the canopy over the lord of the gods. He then sends a message to Indra asking for the tree. Indra as the tree's custodian recalls his former discomfiture in Brindaban when Krishna had abolished his worship and venerated the hill Govardhana in his place. Despite his subsequent surrender to Krishna, and abject worship of him, Indra is still incensed and bluntly refuses. Krishna then goes to the tree, wounds its guardians and bears the tree away. Indra is tempted to do battle but realizing Krishna's superior power calls off his hosts. Back in Dwarka, Krishna instals the tree in Satyabhama's palace but returns it to Indra a year later. On another occasion, Krishna and Rukmini are making love on a golden bed in a palace bedecked with gems. The sheets are white as foam and are decorated with flowers. Pictures have been painted on the walls and every aid to pleasure has been provided. Rukmini is lovelier than ever, while Krishna, 'the root of joy,' dazzles her with a face lovely as the moon, a skin the colour of clouds, a peacock crown, a long garland of flowers and a scarf of yellow silk. As he lies, he is 'the sea of beauty, the light of |
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