understanding an ignorant sea island Negro as an Englishman would have.
Not even in the dialect of any particular section is a given word always
pronounced in precisely the same way. Its pronunciation depends upon the
preceding and following sounds. Sometimes the combination permits of a
liaison so close that to the uninitiated the sound of the word is almost
completely lost.

The constant effort in Negro dialect is to elide all troublesome
consonants and sounds. This negative effort may be after all only positive
laziness of the vocal organs, but the result is a softening and smoothing
which makes Negro dialect so delightfully easy for singers.

Daniel Webster Davis wrote dialect poetry at the time when Dunbar was
writing. He gained great popularity, but it did not spread beyond his own
race. Davis had unctuous humor, but he was crude. For illustration, note
the vast stretch between his "Hog Meat" and Dunbar's "When de Co'n Pone's
Hot," both of them poems on the traditional ecstasy of the Negro in
contemplation of "good things" to eat.

It is regrettable that two of the most gifted writers included were cut
off so early in life. R. C. Jamison and Joseph S. Cotter, Jr., died
several years ago, both of them in their youth. Jamison was barely thirty
at the time of his death, but among his poems there is one, at least,
which stamps him as a poet of superior talent and lofty inspiration. "The
Negro Soldiers" is a poem with the race problem as its theme, yet it
transcends the limits of race and rises to a spiritual height that makes
it one of the noblest poems of the Great War. Cotter died a mere boy of
twenty, and the latter part of that brief period he passed in an invalid
state. Some months before his death he published a thin volume of verses
which were for the most part written on a sick bed. In this little volume