with regard to one point--the misunderstanding of the atmosphere in which
the book was created, and the ignoring of the examples of a similar
tendency furnished by literature as well as by the popular taste. Was it
not the Ancients that began it? Aristophanes, Catullus, Petronius,
Martial, flew in the face of decency in their ideas as well as in the words
they used, and they dragged after them in this direction not a few of the
Latin poets of the Renaissance, who believed themselves bound to imitate
them. Is Italy without fault in this respect? Her story-tellers in prose
lie open to easy accusation. Her Capitoli in verse go to incredible
lengths; and the astonishing success of Aretino must not be forgotten, nor
the licence of the whole Italian comic theatre of the sixteenth century.
The Calandra of Bibbiena, who was afterwards a Cardinal, and the Mandragola
of Machiavelli, are evidence enough, and these were played before Popes,
who were not a whit embarrassed. Even in England the drama went very far
for a time, and the comic authors of the reign of Charles II., evidently
from a reaction, and to shake off the excess and the wearisomeness of
Puritan prudery and affectation, which sent them to the opposite extreme,
are not exactly noted for their reserve. But we need not go beyond France.
Slight indications, very easily verified, are all that may be set down
here; a formal and detailed proof would be altogether too dangerous.

Thus, for instance, the old Fabliaux--the Farces of the fifteenth century,
the story-tellers of the sixteenth--reveal one of the sides, one of the
veins, so to speak, of our literature. The art that addresses itself to
the eye had likewise its share of this coarseness. Think of the sculptures
on the capitals and the modillions of churches, and the crude frankness of
certain painted windows of the fifteenth century. Queen Anne was, without
any doubt, one of the most virtuous women in the world. Yet she used to go
up the staircase of her chateau at Blois, and her eyes were not offended at
seeing at the foot of a bracket a not very decent carving of a monk and a