study of Greek more prevalent than it is now. Greek will come, I hope,
some day to be studied more rationally than at present; but it will be
increasingly studied as men increasingly feel the need in them for
beauty, and how powerfully Greek art and Greek literature can serve this
need. Women will again study Greek, as Lady Jane Grey did; I believe
that in that chain of forts, with which the fair host of the Amazons are
now engirdling our English universities,--I find that here in America,
in colleges like Smith College in Massachusetts, and Vassar College in
the State of New York, and in the happy families of the mixed
universities out West,--they are studying it already.

_Defuit una mihi symmetria prisca_,--"The antique symmetry was the one
thing wanting to me," said Leonardo da Vinci; and he was an Italian. I
will not presume to speak for the Americans, but I am sure that, in the
Englishman, the want of this admirable symmetry of the Greeks is a
thousand times more great and crying than in any Italian. The results
of the want show themselves most glaringly, perhaps, in our
architecture, but they show themselves, also, in all our art. _Fit
details strictly combined, in view of a large general result nobly
conceived_; that is just the beautiful _symmetria prisca_ of the Greeks,
and it is just where we English fail, where all our art fails. Striking
ideas we have, and well-executed details we have; but that high symmetry
which, with satisfying and delightful effect, combines them, we seldom
or never have. The glorious beauty of the Acropolis at Athens did not
come from single fine things stuck about on that hill, a statue here, a
gateway there;--no, it arose from all things being perfectly combined
for a supreme total effect. What must not an Englishman feel about our
deficiencies in this respect, as the sense for beauty, whereof this
symmetry is an essential element, awakens and strengthens within him!
what will not one day be his respect and desire for Greece and its