say, helps him and us. In explaining his thought to others, he explains
it to himself: but when he opens it for show, it corrupts him.

Society is the stage on which manners are shown; novels are their
literature. Novels are the journal or record of manners; and the new
importance of these books derives from the fact, that the novelist
begins to penetrate the surface, and treats this part of life more
worthily. The novels used to be all alike, and had a quite vulgar tone.
The novels used to lead us on to a foolish interest in the fortunes of
the boy and girl they described. The boy was to be raised from a humble
to a high position. He was in want of a wife and a castle, and the
object of the story was to supply him with one or both. We watched
sympathetically, step by step, his climbing, until, at last, the point
is gained, the wedding day is fixed, and we follow the gala procession
home to the castle, when the doors are slammed in our face, and the poor
reader is left outside in the cold, not enriched by so much as an idea,
or a virtuous impulse.

But the victories of character are instant, and victories for all. Its
greatness enlarges all. We are fortified by every heroic anecdote. The
novels are as useful as Bibles, if they teach you the secret, that the
best of life is conversation, and the greatest success is confidence, or
perfect understanding between sincere people. 'Tis a French definition
of friendship, _rien que s'entendre_, good understanding. The highest
compact we can make with our fellow is,--"Let there be truth between us
two for evermore." That is the charm in all good novels, as it is the
charm in all good histories, that the heroes mutually understand, from
the first, and deal loyally, and with a profound trust in each other. It
is sublime to feel and say of another, I need never meet, or speak, or
write to him: we need not reinforce ourselves, or send tokens of