English Prose - A Series of Related Essays for the Discussion and Practice by Unknown
page 258 of 531 (48%)
page 258 of 531 (48%)
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having for a time carried on this style at a cost greater than he can
afford, he finds that he cannot discontinue it without giving up his position: then is he most strongly prompted to enter into larger transactions; to trade beyond his means; to seek undue credit; to get into that ever-complicating series of misdeeds, which ends in disgraceful bankruptcy. And if these are the facts--the undeniable facts--then is it an unavoidable conclusion that the blind admiration which society gives to mere wealth, and the display of wealth, is the chief source of these multitudinous immoralities. Yes, the evil is deeper than appears--draws its nutriment from far below the surface. This gigantic system of dishonesty, branching out into every conceivable form of fraud, has roots that run underneath our whole social fabric, and, sending fibres into every house, suck up strength from our daily sayings and doings. In every dining-room a rootlet finds food, when the conversation turns on So-and-so's successful speculations, his purchase of an estate, his probable worth--on this man's recent large legacy, and the other's advantageous match; for being thus talked about is one form of that tacit respect which men struggle for. Every drawing-room furnishes nourishment, in the admiration awarded to costliness--to silks that are "rich," that is, expensive; to dresses that contain an enormous quantity of material, that is, are expensive; to laces that are handmade, that is, expensive; to diamonds that are rare, that is, expensive; to china that is old, that is, expensive. And from scores of small remarks and minutiae of behaviour, which, in all circles, hourly imply how completely the idea of respectability involves that of costly externals, there is drawn fresh pabulum. We are all implicated. We all, whether with self-approbation or not, give expression to the established feeling. Even he who disapproves this |
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