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The Atlantic Monthly, Volume 09, No. 52, February, 1862 by Various
page 47 of 295 (15%)
To indicate the Egyptian phase of its character, palms have been
introduced, as in the beautiful picture by Claude in the Doria Gallery,
and almost invariably the scene has been one of luxury and peace.
But with the event itself all this conflicts. In it were sorrow and
apprehension and death. The fugitives saw not then the safety, nor
anticipated the victory. In this picture, beyond and before the hurrying
group, stretches the immeasurable, hungry sand. A sad golden-brown
haze--such as sometimes comes in our Indian summer, when the hectic
autumn rests silent, mournful and hopeless, in the arms of Nature--
pervades the plain; while on the horizon far away,--an infinite distance
it seems, so strangely spectral are they,--rise the Pyramids, just those
awful ghosts against the ominous sky!

As different as are the subjects he chooses are the bits of scenery
Hamilton Wild introduces in his pictures of life as it now is. His are
more truly historical paintings, although aspiring to no record of the
greatly bad and sorrowful transactions of our age. They represent the
joy and hope of youth, the cheerfulness and vivacity of the lowly, their
pleasantest pursuits, their most primitive customs, their characteristic
and often superb costumes; and wherever a passage of scenery occurs, it
is always that which has aided in developing the human life with which
it is associated.

There is never a discrepancy, nor is unison of sentiment ever achieved
by any bending of the truth. His keen sense of harmony never fails to
perceive, in the infinite range of tones and expressions of Nature, just
that which better than all others supports the character and action of
his group. With motives so healthful, it may be less difficult to find
that sympathy which Nature cheerfully gives; yet there is a tendency
with artists to be enticed away from Nature's joyousness, and especially
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