Composition-Rhetoric by Stratton D. Brooks
page 105 of 596 (17%)
page 105 of 596 (17%)
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hung a short battle-ax, richly inlaid with Damascene carving; on the other
the rider's plumed headpiece and hood of mail, with a long two-handed sword, used by the chivalry of the period. A second squire held aloft his master's lance, from the extremity of which fluttered a small banderole, or streamer, bearing a cross of the same form with that embroidered upon his cloak. He also carried his small triangular shield, broad enough at the top to protect the breast, and from thence diminishing to a point. It was covered with a scarlet cloth, which prevented the device from being seen. --Scott: _Ivanhoe_. Notice also how the description proceeds in an orderly way from one thing to another, placing together in the description those which occur together in the person described. Just as we turn our eyes naturally from one thing to another near it in space, so in a paragraph should our attention be called from one thing to that which naturally accompanies it. If the first sentence describes a man's eyes, the second his feet, and a third his forehead, our mental image is likely to become confused. If a description covers several paragraphs, each may be given a unity by placing in it those things which are associated in space. EXERCISES _A._ If you were to write three paragraphs describing a man, which of the following details should be included in each paragraph? |
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